Free Essays, Free Research Papers, Free Book Reports and Free Term Papers
School Term Papers Free Essays, Free Research Papers,
Free Book Reports and Free Term Papers

FREE ESSAY ON THE INFLUENCE OF LOUIS ARMSTRONG

College Term Papers - Instant Download

(sponsored links)

Jazz Musician Louis Armstrong
This paper discusses the life of jazz musician Louis Armstrong especially his early formative years. -- 845 words; APA

Louis Vuitton
A review of the organizational human resource practices of Louis Vuitton. -- 900 words;

King Louis XVI: Tyrant or Man?
Examines the book "The King’s Trial" by David Jordan which paints a very convincing portrait of King Louis XVI. -- 1,039 words; MLA

King Louis XIV, The Sun King
This paper discusses the life and achievements of the great French King Louis XIV. -- 1,000 words;

Louis Riel
An analysis of the public viewpoint of the sentencing of Louis Riel. -- 1,350 words;

Click here for more essays on THE INFLUENCE OF LOUIS ARMSTRONG

THE INFLUENCE OF LOUIS ARMSTRONG

Louis Armstrong was the most successful and talented jazz musician in history. His
influence and expansive career continues to make waves in the jazz world. That is what
made him become what he is to many today - a legend. 
Born on August 4, 1901, in the poorest section of New Orleans, Armstrong grew up with his
grandparents due to his parents' separation. On January 1, 1913 he made a mistake which
turned out to be the best thing that ever happened to him. At a New Year's celebration in
downtown New Orleans, Louis Armstrong, also known as "Satchmo" and "Satch", fired a
pistol into the air and was placed in the Colored Waifs' Home. It was there that he was
introduced to Peter Davis - the brass band leader who taught him how to play the cornet
(Brown 17). Soon after he began playing, Armstrong was made leader of the band -
something he was extremely proud of. 
In June of 1914, Armstrong was free to leave the Waifs' Home. He was hired by various
cabarets throughout the city, as well as for picnics, dances, and funerals. It was at one
of these places that he was spotted by the famous Joe 'King' Oliver. King Oliver found
Armstrong stand-in slots at orchestras and other venues. In 1918, he was offered the
vacant seat left by Oliver in the band the Brown Skinned Babies. Kid Ory, leader of the
band, once said that after Louis joined them he, "…improved so fast it was amazing.
He had a wonderful ear and a wonderful memory. All you had to do was hum or whistle a new
tune to him and he'd know it right away" (Boujut 21). At the end of 1918 Armstrong
married Daisy Parker, a prostitute he had met at a dance hall that he played on Saturday
nights. The marriage ended only four years later due to her beating him regularly
(Bergreen 87). 
Louis Armstrong was hired in May of 1919 to play on a riverboat that traveled the
Mississippi River from New Orleans to St. Louis. Armstrong soon became very popular in
St. Louis and was in high demand (Collier 124). Two and a half years later, he was thrown
off the riverboat and fired due to a fight. After returning to New Orleans, he received a
telegram from King Oliver in Chicago. It was an invitation to join The Creole Jazz Band -
an offer Armstrong couldn't refuse. The Jazz Band cut it's first record in the spring of
1923 and toured throughout Illinois, Ohio, and Indiana (Hadlock 64). 
A year later Armstrong married Lil Hardin, the pianist in the band. He soon grew tired of
playing in Chicago and left Oliver's band to head for New York City. When Armstrong
reached the City and began playing everyone went wild. No where had they ever heard
anything like him. Before this time, he had only played instruments but he was soon
encouraged to begin singing. It was then discovered that Armstrong had a natural
extension of his trumpet abilities, which was singing. His gravelly voice was something
new that had never been heard (Sadie 600). 
Armstrong formed a studio band in 1925 called the Hot Five. The band included Johnny
Dodds, Kid Ory, John St. Cyr, Lil Armstrong, and himself. These recordings were some of
the most famous made by Armstrong, including "Mandy Make Up Your Mind" and "Money Blues"
(Bergreen 96). A year later the Hot Five made their only public appearance at the Chicago
Coliseum. The Chicago Defender spoke of "Louis Armstrong, the miracle with steel lips,"
(Boujut 27). 
For the next few years Armstrong recorded with the Hot Five and played with other
musicians in New York and Chicago. He then traveled to California, in July of 1930, where
he starred in his first film, Flame. Only after he had been in California for a few weeks
he was arrested at a nightclub for the possession of marijuana. The incident obviously
caused a lot of controversy across the world. The sentence, six months in prison, was
suspended after only three days. Mainly due to Armstrong's addiction to marijuana, Lil
separated from him and they no longer worked together (Boujut 33). 
In 1932 the Hot Five split up. Armstrong remained in California and starred in Rhapsody
in Black and Blue and You Rascal You. Later that year, he sailed to England where he
played for the King (Crouch 171). An experience that ranked as "one of the best times of
my life," he stated (Bergreen 107). 
Something interesting happened to Armstrong in 1933. In London's Daily Express the death
of the "trumpet player with lips of steel," was reported (Boujut 36). Five days later
Melody Maker issued a correction but the news had already spread around the globe. 
In April of 1934 Armstrong began touring Europe. He visited various countries including
France, Belgium, Switzerland, and the Netherlands where he was welcomed with open arms.
The tour was scheduled to carry on to North Africa and Egypt, but the state of
Armstrong's' lips forced him to cancel his remaining shows and not play for over eight
months (Brown 154). 
In 1935 Armstrong formed a commercial style big band with fifteen other musicians (Brown
76). For the next twelve years he starred in various films and played with his new band.
It was in 1947 that he abandoned the big band and returned to small band format. He
joined the All-Star's, made up of Jack Teagarden, George Wettling, Big Sid Catlett, Dick
Cary, Peanuts Hucko, Bob Hagart. That turned out to be the group he worked with until his
death. 
In the heat of the Civil Rights Movement, Louis Armstrong was called an "Uncle Tom" by
blacks, referring to Harriet Beecher Stowe's Uncle Tom's Cabin. African-Americans blamed
Armstrong for not using his fame to speak out against the unjust treatment of his race in
the United States (Brown 92). They also said he was holding his race back because he
didn't demand respect from whites and he smiled too much when he was in public (Crouch
171). In Armstrong's opinion he didn't understand what he was doing wrong. He had ignored
prejudice because he had been taught to respect people unless they had personally
disrespected him (Brown 92). 
It was in 1955 that Louis Armstrong was made America's musical ambassador. He traveled
throughout the world on the United States behalf and even made an album titled,
Ambassador Satch. All over the world he was respected and welcomed to perform nearly
anywhere he chose. 
Hello Dolly, Armstrong's most well known song was recorded in 1964. It hit number one on
the Billboard charts on April 8th. It was accompanied by one of movies he starred in
which shared the same title. For the next seven years of his life he was in and out of
the hospital due to heart and kidney problems. On July 6th, 1971, Louis Armstrong died of
a lung infection and heart complications. His last wish, that his trumpet be buried with
him, was granted. 
Louis Armstrong influenced almost all aspects of jazz technique and style. He was the
first to improvise and elaborate on a given melody. This technique has since been
attempted and copied time and time again. Armstrong introduced a freedom to music that
continues to impact popular music (Sadie 601). Without this American genius music would
not be what it is today.
Bibliography
Bergreen, Lawrence. Louis Armstrong: An Extravagant Life. New York: Broadway, 1997.
Boujut, Michel. Louis Armstrong. New York: Rizzoli, 1998. Brown, Sandford. Louis
Armstrong. New York: Watts, 1993. Collier, James Lincoln. Louis Armstrong: An American
Genius. New York: Oxford, 1983. Crouch, Stanley. "Louis Armstrong." Time 8 Aug. 1998:
170. Sadie, Stanley. ed. "Louis Armstrong." The New Grove Dictionary of Music and
Musicians. 6th ed. Vol. 1. New York: Macmillan, 1995.

Use the Search box at the top to find Term Papers for Sale by keywords or browse Free Essays page by page
(sorted alphabetically by Essay Title):

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39
For college-level Term Papers, Essays, Research Papers and Book Reports, please go to the Term Papers for Sale Website


This Free Essays Web Site, is Copyright © 2008, Essay Express. All rights reserved.




Partner websites: Interior Decor Art :: Immigration Lawyer Toronto :: Laser Clinic Toronto :: Original Abstract Paintings :: Learn Violin in Thornhill :: Learn Violin in Toronto :: Buy used Yamaha piano in Toronto