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FREE ESSAY ON LES MISERABLES

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Analyzing Jean Valjean’s Central Importance as the Symbol of the French Penal System and Social Justice in Les Miserables by Victor Hugo
In this paper, the most important character, Valjean, has been analyzed in Victor Hugo's Les Miserables. By Valjean this novel, the three main characters define how his social justice affects Cosette's life through his ability to rise above the ... -- 750 words; MLA

"Les Miserables"
A review of Victor Hugo's novel "Les Miserables". -- 1,359 words; MLA

Richard Boleslawski's Film "Les Miserables" (1935)
A comparison of the plots of Richard Boleslawski's 1935 film version of Victor Hugo's novel "Les Miserables" to the Old and New Testaments. -- 1,375 words;

"Les Miserables"
An analysis of "Les Miserables", by Victor Hugo. -- 650 words;

Social Justice in "Les Miserables"
This paper discusses issues of social justice in Victor Hugo's "Les Miserables". -- 2,420 words; MLA

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LES MISERABLES

Les Miserables known in English as "The Terrible" is a musical portrayal of the French
Revolution. It is a musical tragedy, which served as a major powerhouse competitor for
Andrew Lloyd Weber musicals in the early eighties and nineties. When first debuting on
Broadway in 1987 it traveled a long hard road to compete with musicals of the decade.
However, in time many well-known performers were proud to associate themselves with this
wonderful work of art.
The musical play begins with its lead character named Jean Valjean. Jean Valjean 
was released on parole after 19 years on the chain gang. In this initial scene the
audience can almost immediately feel the tonality of the play with the constant reference
to the number 24601. 24601 were the prison number that became Jean Valjean's identity for
19 years. The dark and dreary ambiance set the tone for the first song of the libretto,
"Look Down. The lyrics to look down coincide with the chain gang, overseen by brutal
wanders, working in the hot sun. It is this series of songs in Act one that take the
audience through many turns of feelings and emotions. These emotional songs are used to
portray poor men and women working in low class factories, women selling their bodies and
more importantly a class of people struggling to scrape by. The most vivid songs used to
identify the various themes of poverty and prostitution are Lovely Ladies, A Heart Full
of Love, and Master of The House. Moreover, it is a song titled Do You Hear the People
Sing? That prepares the audience for the ending of Act one. Most if not all of Act one
uses song, tonality, character, pitch and tone to depict the various themes of the play
while the story is beginning to unravel.
Throughout the second and final act the musical content within the play acts as a story
of it's own through theme and variation. Each separate song represents a feeling and or
mood and is enhanced as it is varied throughout the act. Like the first act, the songs
are used to portray poverty, suffering, hardships, and even death. However, unlike the
first act, there is also a theme of love and happiness. Closure is brought about with a
sense of warmth and this is often heard through the display of the tempo. When the times
were tough the tempo decreased and was often slow and morbid like. When happy times were
brought about, the tempo increased to a song and dance farewell. The final song of the
musical really brings the whole story together. The loose ends are tied and the
audience's hearts are left captivated and moved.
This musical would not be complete without the dramatization of the performers. It is
each individual performer that brings song into the story. Each of the eight main
characters represents, in a sense, their own theme and motivation towards the story.
Without these characters the notes and chords wouldn't bring about any music. It would
merely be song without feelings or words. Each of them sings to sing to us in their own
different way and exemplify their role within the story. Together these two important
ideas make this play an excellent musical.
My personal reaction to this musical was surprisingly a good one. When my girlfriend
first told me that we were going to see a Broadway play I wasn't initially excited.
However, after just about 30 minutes into the opening act I was beginning to recognize
and comprehend musical terms that we had discussed in class. I then decided to be open
minded and take notice of not only musical but also theatrical happenings of the story.
It was amazing to be able to hear the tempo change, the timbre (tone color), and also
identify the theme and variation. It was often difficult to understand the opera like
approach to the play but all you needed was a good ear and total concentration. I found
that I actually enjoyed Les Miserables and I wouldn't be too quick to say no to another
one.

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