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FREE ESSAY ON FRANKENSTEIN

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Analysis of Mary Shelley's "Frankenstein"
An analysis of a specific passage from Mary Shelley's "Frankenstein". -- 750 words; MLA

Frankenstein and Power
The following assignment is for a third year film and literature course. The topic of the assignment is the relationship between power and bodies in Frankenstein. In order to do this assignment two sources were used. The first source was the novel ... -- 1,500 words; MLA

Monster in Shelley's "Frankenstein"
An analysis of the Frankenstein monster in Mary Shelley's "Frankenstein". -- 1,000 words; MLA

Mary Shelly's "Frankenstein" and Voltaire's "Candide"
A comparison of the failures of Dr. Frankenstein and Pangloss in their attempts to create an idealized entity. -- 2,490 words; MLA

An Analysis of Mary Shelley's "Frankenstein"
An analysis of the master-slave relationship between Frankenstein and his creator. -- 760 words; MLA

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FRANKENSTEIN

The novel Frankenstein, by Mary Shelley is an excellent example of the Romantic Movement.
The movement took place in the period from the late 1700's to the mid-1800; it emphasized
passion rather than reason and imagination and intuition rather than logic. One of the
key concepts most Romantic writers used was, nature is a source of inspiration. They
believed that people who lived in an industrialized area were unhappy because the
environment around them was not full of the beautiful gifts of nature. While people who
lived in the countryside all their lives were full of happiness as a result of their
surroundings. This concept is beautifully brought out in Frankenstein. Having this
concept in the novel makes the narrative more powerful, this is because the impact of the
narrative is heightened when the environment of what is going on corresponds with the
emotions of characters in it. It also makes it more powerful by making the reader feel
more emotions over the reading. The following are a few examples of the ways Shelley
expresses this concept in the novel.
One way Shelley shows nature as an inspiration is through the geography of the settings.
In the beginning of the novel when Victor lives in Geneva it is described, as isolated
and dwarfed by massive snow capped mountain ranged and hunted be the emptiness of the
lake. Later on in the novel and in the letters in the beginning Shelly puts the
characters in the wildest, most isolated areas in Europe: The Swiss and French Alps, the
Rhine Valley, the Outer Hebrides of Scotland, Northern Ireland, Russia and the Arctic.
When the reader reads about these various places they get a feeling of isolation and that
of loneliness, exactly what Shelly wants them to be feeling.
When Victor was 15 years-old nature inspired him as to what field of study to get into.
His inspiration came when at his house in Geneva he witnessed " a stream of fire issue
from an old and beautiful oak which stood about twenty yards from our house; and so soon
as the dazzling light vanished, the oak had disappeared, and nothing remained but a
blasted stump" (Shelley 26). From this event he moved away from his old field of study,
natural philosophy, and moved to his new one natural phenomenon. He especially took to
the field of, "mathematics and the branch of study appertaining to that science as being
built upon strong foundations, and so worthy of my considerations" (Shelley 27). 
The night of the creation of Frankenstein's monster "was on a dreary night of November"
and as he worked on it "the rain pattered dismally against the panes," (Shelly 42). He
created him by candle light in an isolated part of an old house. This environment
corresponds to the state of mind and heart of the creator at that time. The dark
surroundings in this chapter also emphasis the brain fever Victor gets after the creation
of his monster. Later in the novel he gets cheered up when he takes a walk in the
springtime. About the walk he says, "my own spirits were high and I bounded along with
feelings of unbridled joy and hilarity" (Shelley 55). Then a little later he joins up
with the monster on the summit of Mont Blanc when a storm is going on. The environment
just like that in the creation of the monster, puts dread in the reader and also shows
what is going on inside of Victor's mind and heart. Victor is so upset in the chapter 9
that he decides to go to the Alps to ease his soul. He believes the nature in the Alps
will cause him to get in a joyful mood. Then in Chapter 10 he meets up with the monster
again. This time, like the other time, the environment they met each other is one of a
rainstorm, Victor says that, "the rain poured down from the dark sky and added to the
melancholy impression I received from the objects around me" (Shelley 81). The setting
was also full of jutting rocks, broken, and blastered trees. This setting has the same
affect as the last one they met each other in. In chapter 18 Victor is so depressed about
having to create a woman for his monster that even the country side and mountains can not
make him happy because he is, "haunted by a curse that shut up every avenue of enjoyment"
(Shelley 140). At the end of the novel in chapter 23 Frankenstein's monster kills
Elizabeth during a windy and stormy night. This storm gets the reader ready for the event
that followed, her death. The storm puts dread in the reader and also represents what
Victor is feeling.
This novel shows the concept of nature being an inspiration very well. If it does not
inspire the characters in the book it is inspiring the readers to feel the emotions that
Shelly wants them to, nature has a powerful affect on people. When Shelley wants to
inspire the readers she sometimes has the setting of the action correspond to how a
character is feeling. Her ways of conveying this Romantic concept are excellent.

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