FREE ESSAY ON EXAM QUESTION: A STREETCAR NAMED DESIRE

EXAM QUESTION: A STREETCAR NAMED DESIRE

Exam Question:
? How does Williams suggest that Blanche Dubois represents the faded grandeur of the
American past?
? Explore the ways in which Williams presents conflict between the worlds of Blanche
Dubois and Stanley Kowalski.
There are a number of ways that Blanche seems to represent the faded grandeur of the
American past. Perhaps the most obvious one is her difficulty fitting in with life in New
Orleans. From the beginning we see Blanche does not fit in with the people of her new
community, nor her physical surroundings in her new home. This is shown at the start of
scene one when it is easy to see that she disapproves of her sister living there. "This -
can this be - her home?" This is perhaps Blanche being subtle as later when the place is
described as having "raffish charm", Blanche does not even recognise that and she
describes it as, "Only Poe! Only Edgar Allen Poe! - could do it justice!" 
Blanche represents a deep-seated attachment to the past. She has lived her whole life in
Laurel, a small southern town; her family had aristocratic roots and taught Blanche about
some of the finer things in life. Unfortunately she cannot cope with life outside Laurel.
Her refusal to come out of the time warp makes her unrealistic and flighty. When Blanche
appears, she is described in detail, not only her clothes but also the impression she
gives of delicacy and vulnerability. "There is something about her uncertain manner", and
the way she drinks as soon as she reaches the apartment shows that she is extremely
nervous and uncomfortable. "Her white clothes, that suggest a moth." There is an irony
about the clothes Blanche wears and the way she dresses. She is glamorous and always
appears wearing light, and white clothes although it is a desire to be pure, which we
learn she is definitely not. Her name 'Blanche' also means white. What's more she bathes
constantly throughout the play. This represents her need to purify herself from her past.

Blanche could easily be described as very vain. In her first meeting with Stella in scene
one she says, "you haven't said a word about my appearance." We learn that Blanche is
very concerned with appearance despite the fact that her good looks are fading. There are
a number of occasions where Blanche does not want to be viewed in the light, as she does
not want people to see her faded looks. This also parallels with her being describes as a
moth - moths are attracted to bright lights but often get hurt or damaged by them, a lot
like herself. 
Blanche is an escapist who says, "I don't want realism". She hides from bright lights,
just as she hides from the truth. Her delicate nature simply cannot bear the reality of
present-day existence; she finds it too painful. She, therefore, convinces herself that
she has remained pure because "inside, I never lied". She knows her sole, or inner self,
remained uninvolved in her physical encounters. As a result, she dismisses them and sees
herself as virtuous, prim and proper. Examples of where Blanche is diffident around
bright light is when she asks Mitch to put "this adorable little coloured paper lantern"
on the light bulb because she "can't stand a naked light bulb, any more than a rude
remark or a vulgar comment" and in scene eight when she states her dislike of bright
lights, " electric light bulbs go on and you see too plainly". As well as hiding her
advancing age, dim candle lights are also perfect for her make believe world that has no
pain or memories. 
The plantation Belle Reve on which Stella and Blanche grew up has a name with in French
means 'beautiful dream'. When they lived there they obviously had a lot of money and lead
a wealthy life. Stella seems to have come to terms with or may even be happy with the way
she is living now, even though it is not to the same standards as she once lived. When
Blanche wonders how Stella copes living in the conditions, Stella replies, "aren't you
being a little intense about it? It's not that bad at all! New Orleans isn't like other
cities." This shows a clear difference between the sisters and illustrates that Blanche
still wants to live how she did in Laurel, which is clearly the past. "The loss - the
loss..." 
As we know Blanche and Stella grew up on a plantation, which, being in one of the
Southern states, probably used slavery although it may have been before the birth of the
sisters. However it is fair to assume that interacts with coloured people daily. In the
opening scene Eunice and a Negro woman seem to be chatting in a relaxed atmosphere. This
is not to say that Blanche does not communicate with the Negro woman, but it gives the
impression from the way Blanche acts in other situations that she is not as 'modern' as
the people who live in New Orleans. 
Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class,
historical periods, ways of life and differing attitudes towards sex and love. It is hard
to say whether one character is wither completely good or bad, because the main
characters are themselves internally torn by conflicting and contradictory desires. 
There are two types of music used throughout the play that symbolise the world worlds of
Stanley and Blanche. These are the 'blue piano' music, which is first apparent right at
the beginning of the play in the introduction to the scene. "From a tinny piano being
played with the infatuated fluency of brown fingers. This "Blue Piano" expresses the
spirit of the life which goes on here." This gives us the idea that music (especially
blues) is very important in the play as it represents the character and atmosphere of the
rundown quarter of the city. This music is also heard when Stanley is the victor in scene
four when he hears Blanche condemning him, and realises he has his wife's support, "he
laughs and clasps her head to him. Over her head he grins through the curtains at
Blanche." They both seem to want to be close to Stella and at times it seems that Blanche
is jealous of the relationship between Stella and Stanley. Blanche's music contrasts with
the "blue piano". This clear distinction is one of the conflicts between Blanche and
Stanley as well as Blanche and that area of New Orleans. The polka music is first heard
at the end of scene one when Blanche tells of how she was once married, but the boy died.
This music reoccurs when Blanche mentions this incident later on in the play. 
Stanley is also a direct contrast to Blanche with the clothes he wears. At the poker
night in scene three, he is wearing a 'solid' coloured shirt, as are the other players.
Stanley is in charge and dominates the group. Whereas Stanley seems to like bright
colours around him, "the kitchen now suggests that a sort of lurid nocturnal brilliance,
the raw colours of childhood's spectrum," Blanche is never associated with bright
colours. 
Stanley represents contemporary social values driven by male dominance. He is a new urban
immigrant. Blanche gives the impression that she thinks Stanley is in a lower class to
her and is in places derogatory towards his background, "In bed with your Polack!"
Nevertheless Stella seems to have adjusted to living with someone that is very different
to her background, but is aware that her sister may not think the same as her, "I'm
afraid you might not think they are lovely." The setting of the play makes this fact
exaggerated because of the small apartment and quarter of New Orleans that it is set in
which soon turns into a battleground. Besides not getting on with Stanley, Blanche does
not seem to be able to associate with other people from the quarter. This is demonstrated
when she is rather rude to Eunice when she first arrives, "What I meant was I'd like to
be left alone." 
Stanley feels Blanche has invaded his territory, despite this fact he welcomes her into
their home; however, that acceptance requires Blanche to acknowledge his authority.
Conversely, he does nearly reduce her to tears in their first meeting by asking about her
marriage. Stanley's desire to dominate everyone around him finds its ultimate expression
in his relationship towards Blanche. Stanley attempts to intimidate Blanche into giving
him the information he wants he wants concerning the loss of Belle Reve, "Don't play
dumb. You know what! - Where's the papers?" Initially Blanche responds to this with
flirtation and laughter, but Stanley does not take lightly to this and 'shoves' the trunk
'roughly open'. Stanley believes according to the Napoleonic code "whatever belongs to my
wife is also mine - and vice versa." Stanley has become suspicious about Blanche because
when he looks through her clothes he discovers a lot of 'costume jewellery' and in his
ignorance believes the jewellery is real and expensive. He thinks Blanche must be lying
about the loss and Belle Reve and that Blanche has been living an extravagant lifestyle
since the loss of the family home and believes he should receive some of this money, even
though there isn't any really.
Early on in the play we become aware of Blanche's class arrogance when she sets aside the
black neighbour's kindness and of Eunice's company. Blanche's behaviour in the company of
men is also very interesting. She constantly flirts even with Stanley, who is not
impressed with her behaviour and replies to it with the blunt comment, "If I didn't know
that you was my wife's sister I'd get ideas about you!" This comment also shows Stanley's
ungrammatical speech, which he often uses and which is very dissimilar to Blanche's
poetic, educated speech. Stanley's frank tone is often aggressive, which is a notion that
we never she is Blanche. This gives him the upper hand to Stanley and is brutal towards
Blanche and Stella in the play. Stanley's brutality is shown in several places during the
duration of the play. For example, his first array of brutality is evident at the poker
night when he throws the radio out of the window. Nevertheless it is Blanche who turns on
the radio back on while chatting to his best friend, Mitch, after Stanley has turned it
off during his poker game. This does not give him the right to act in this violent way,
but Blanche seems to be aggravating him slightly and he likes to dominate. He then hits
Stella, which is another example of his brutality. As a result of this incident Stella
leaves to go to Eunice's. From Stanley's point of view, Blanche has simultaneously robbed
him of his wife and his best friend in the same night, so he sets about to ruin both
these relationships. He doesn't like her personally and they have nothing in common, but
also he sees her as something of a threat. She has disrupted his and Stella's
relationship in the physical sense since all three have been living in the small
apartment, but what's worse in Stanley's eyes is that Blanche is part of Stella's past,
and Blanche's influence revives old prejudices and ways of thinking Stella that threaten
Stanley's dominance. For example when Stanley eats the remains of a chop with his
fingers, "Your face and your fingers are disgustingly greasy." Stanley takes real offence
to this issue, because he does not like Stella telling him what to do and he definitely
does not like the idea of the two sisters thinking that they are better than him. "When
we first met, me and you, you thought I was common. How right you was, baby. I was common
as dirt. You showed me the snapshot of the place with columns. I pulled you down off them
columns and how you loved it."
It does seem that each time Blanche and Stanley meet there is a massive dramatic tension,
ending in Stanley domineering. He does not like her living in her idealistic world, as he
relies strictly on facts. Perhaps the most dramatic part of the play involves both
Blanche and Stanley. Stanley attacks Blanche in violent passion and she seems which is
the ultimate domination on his part - sexual domination.