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Junot Diaz's "Drown"
An argument that recent clampdowns in immigration quotas and other immigrant-unfriendly measures threaten the American Dream. -- 1,415 words; MLA

"The Handsomest Drowned Man in the World"
A brief look at the relationship between logic and perception as defined in Gabriel Garcia Marquez's "The Handsomest Drowned Man in the World". -- 797 words; APA

Gender Criticism in "Saving Fish from Drowning"
A essay reviewing the book " Saving Fish from Drowning" by Amy Tan. -- 1,810 words; MLA

"The Most Handsomest Drowned Man in the World"
An analysis of the theme of self-discovery in Gabriel Garcia Marquez's short story, "The Most Handsomest Drowned Man in the World". -- 969 words; MLA

The Role of Fathers in Latino Families
A comparison of the father figures in Junot Diaz's "Drown" and Jamaica Kincaid's "Annie John". -- 1,558 words; MLA

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DROWN

The story of immigrant struggles is the major theme in Drown by Junot Diaz. Every
immigrant has a personal story, pains and joys, fears and victories, and Diaz portrays
much of his own story of immigrant life in Drown, a collection of 10 short stories.
This book captures the fury and alienation of the Dominican immigrant experience very
well. Other immigrants' grief's also come up in Diaz's short stories. My argument for
this paper delves with the question of is this book merely storytelling or is it
autobiographical? Also, it seemed to me as if he uses some symbols and specific words
(mostly verbs) to express himself in a manner which the reader can almost feel the story
as if it were real. 
The book tells of the barrios of the Dominican Republic and the struggling urban
communities of New Jersey. This book is very strong and these stories tell of a sense of
discovery from a young man's perspective. It seems as though for the immigrants, even
when things are at their best, a high probability of calamity looms just around the
corner. Uncertainty is the only certainty for these outsiders, who live in communities
that, are separated from all the other communities by a six-lane highway and the dump. It
tells of a world in which fathers are gone; mothers fight with determination for their
families and themselves. Drown brings out the conflicts, yearnings, and frustrations that
have been a part of immigrant life for centuries. Diaz himself lived in such a world. 
In each of his stories Diaz uses a first-person narrator who is observing others. Boys
and young drug dealers narrate eight of these tales. Their struggles shift from life in
the barrios of the Dominican Republic to grim existence in the slums of New Jersey. These
young boys could be the voice of Junot Diaz himself. If so, why would the book be a
fiction?
The characters in these stories wrestle with recognizable traumas. Yunior and Rafa in
Ysrael and Fiesta 1990 confront the pain of growing up, the loss of innocence, and how
misfortune just happens to fall upon them. In Drown, Edison, New Jersey, Aurora, we
glimpse into anger stemming from unearned suffering, the embarrassment of poverty, the
confusion of loving a Crackhead, and shock of reality. 
Drown tells of an impoverished, fatherless youth in the Dominican Republic and his
struggle with immigrant life in New Jersey. It shows pain and suffering very accurately.
The last and longest of the stories, Negocios, reconstructs the adventures of Ramon, the
father who left his wife and children behind to try to make it in the States. It is told
from the point of Yunior, the youngest son. Negocios, points up this collection's one
weakness. It is a chronicle of his father's immigration, remarriage and, finally, the
rescuing of his children and first wife from their bleak life in the Dominican Republic.

In this book, words used show lots of meaning (strong use of verbs). By doing this Diaz
has managed to physically imprint the reality of his characters so as to make them seen.
The characters step out of the plots so vibrantly real. 
What I enjoyed about this book is that there was no use of Italics or any other editorial
assistance for the reader. This showed me that he is taking a stand against the use of
Italics. It's almost as though Diaz is writing in a diary and there is no need for such
things. Also, these stories are not read like stories, they are more like a sociological
study. The feelings and the observations jump off the page so much so that the stories
appear very much autobiographical. Again bringing up the point of whether it should be
classified fiction or non-fiction. 
Diaz never loses sight of the telling details of immigrant life stateside. He describes
food from the perspective of a Dominican boy who eats only boiled yucca and platano. The
yucca and platano is a symbol of his poverty and hunger in Aguantando. 
Then he writes about everyone getting obese in America; even the immigrants themselves.
This simple abundance of food gets to the imagination of immigrants, enduring for many
years as the newcomer's fascination with the United States.
The picture inside the plastic bag of the father in Aguantando is one of the symbols.
This is a symbol of an absentee father; present in more that one story. The government
cheese, was also a symbol of hunger and poverty. It was both treasured and hated. He was
amazed at the generosity of Americans but at the same time he was ashamed by it. Clear
the government cheese from the refrigerator (Diaz 143)
What I do like about Drown is Diaz's ability to dramatize the tragedies of immigrants
without making everything seem over dramatic or fake. As an immigrant who shared several
of these experiences, as a young stranger in a strange land, I find this narrative very
accurate. Drown offers a dignified portrayal of immigrant life because of the reality
behind it. Because of its authenticity I would conclude that this book is mainly
autobiographical!


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