FREE ESSAY ON ARABY AND SUNRISE ON THE VELD

ARABY AND SUNRISE ON THE VELD

Two Short Stories Of Awareness Beyond Oneself:
Araby And A Sunrise On The Veld
Araby by James Joyce and A Sunrise On The Veld by Doris Lessing are both short stories in
which the
protagonists gained a consciousness that was beyond themselves. The main characters are
both initiated
into new realities and truths of which they were not previously aware. Both short stories
will be
examined with reflections according to the type of initiation that was experienced, the
nature of the
narrators, the similar and dissimilar aspects of both characters and various components
of the short
stories.
In the two stories, both characters were experiencing an initiation or awareness of new
actualities that were outside of themselves. The main characters both painfully learned
that this
initiation was beyond their control. It was impossible for them to ignore the new
realities which they
both came to understand. The new found awareness was so powerful that it changed each
boy's entire
outlook and they both began to see the world through new eyes. The type of initiation
both characters
had was a distressing journey from innocence to knowledge and experience.
The two narrators had different attitudes and reactions to the initiation experience.
In Araby, the reader learns of the boy's initiation in the final sentence:
Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and
my eyes burned with anguish and anger.1 
The character had a negative reaction to his new awareness. His realization caused him to
have feelings
of shame, anguish and anger. He was possessed and controlled by his passion for Mangan's
older sister.
His ideals of the girl were not realistic but were futile and vain. The girl drew out
feelings in him
and he discovered that feelings must be reciprocated and the downside that love can also
be painful. He
had a difficult time accepting his own weakness. He was in distress because he had
stopped for a moment
and gazed up into the darkness and realized that his previous feelings were wonderful but
the only
reality existed in his feelings. It had no existence beyond how he felt and the
understanding of this
was painful for the character. 
The protagonist of A Sunrise On The Veld was more accepting towards his experience of
initiation than that of the character in Araby. The boy's attitude was stoical: 
...this is how life goes one, by living things dying in anguish.2
His feelings were of acceptance. 
In the beginning, the boy felt in control of himself in every way, and came to feel in
control of the world in which he lived. This attitude changed completely after his
encounter with the
dying buck. He accepted the fact that there was nothing he could do to help and that some
things were
not in his power and were beyond his ability to control. He came to an awareness of his
own limitations
and accepted the inevitable. The character suffered however and felt anger, but also he
was satisfied
with what he realized about the cruelty of nature and life. 
There were several similarities and differences between the central characters. The two
protagonists were both male and were young in age. Each was overcome and enthusiastic
towards their
feelings of delight and became aware of the negative side to joy. The boys were
imaginative and romantic
about their individual passions. They were both prompted by something or someone outside
of themselves.
The characters held an appreciation for beauty. The type of beauty the boys appreciated
differed. The
character in Araby felt emotional about a human being and the boy in A Sunrise On The
Veld felt a love
for nature. Both characters experienced an impatience and eagerness towards their
obsessions. The boy in
Araby could not wait to visit the bazaar as the boy in A Sunrise On The Veld was eager to
wake up and go
into the vast fields of nature. One character was overcome by the morning, the nature and
was
exhilarated to be a part of it all. Similarly, the boy in Araby had the !
same feeling, however he was falling in love with a girl. One had a connection with
nature and the other
felt a connection with a person. They felt a oneness with the object of their love. They
tried to break
down the boundaries of their isolation. Both passions brought them out of their aloneness
and loneliness. 
A difference in characters was that the boy in Araby was passive, inactive and
reflective
about his passion. The focus was on himself and how he felt about his friend's sister. He
was an
introvert while the character in the second story was an extrovert being active and
involved in his love
for nature; he was more aware of what he was doing. In addition, the boy's pride in Araby
took over his
feelings for the girl which were destructive and almost destroyed him. The girl had a
ruinous influence
on him as she occupied his mind taking him away from his sleep and school work. She
haunted his mind
when he was not around her. In A Sunrise On The Veld, the character had a purposeful
obsession. One
that taught him valuable lessons about life, for example, that nature can be hostile and
not to take it
for granted. 
There was a difference in what the boys learned from their experiences. The boy in Araby
learned something about himself. He learned that his love for the girl was one-sided,
unreal and its
only basis was in his feelings. It was not a mutual feeling and therefore may have
destroyed what he
felt for her. However the boy's joy for nature in A Sunrise On The Veld probably did not
go away even
after witnessing the buck being devoured by ants. He learned about death and that
existence is finite.
There is a difference also, in the sources of the characters' pain. One felt and
empathized with a
buck's suffering and the other boy felt his own pain from within himself. One exceptional
similarity
between both characters was that they both felt pain deeply and both suffered. 
Both authors incorporated techniques for developing the general idea of the short
stories
through the settings and images. The setting in Araby was in Dublin, in a conventional,
quiet
neighborhood. The boy lived in a prison-like house. The air was musty and nothing was
taken care of.
The gardens were growing wild, the books in his house were in a state of ruin and a
priest, the former
tenant of the house, had died in one of the rooms. The atmosphere was dark, dismal and
depressing. The
character lived in a run down district where street gangs existed. It was the winter
season and street
lamps were weak which gave additional images of darkness. These examples suggested images
of decay,
death and imprisonment. There was an opposing image that existed in the form of the boy's
friend's older
sister and the bazaar in Araby. This gave images of escape and hope as well as opposing
images of Dublin
and Araby, darkness opposing light. 
Araby, written in the third person, had tones in which were illusory and subjective. The
character is dealing with his feelings and with the relationship that exists there and is
mostly
imaginary. The setting and images of this story offered a mood that was bleak. The boy's
mood and the
external surroundings were in sympathy with each other. For example, at the end of the
day when the
stalls were closing down and there was not enough time, this provided an external mood
that was in
harmony with his inward mood.
The setting of A Sunrise On The Veld took place in an open, grassy areas or as the title
indicates, in an actual veld. The season is winter in this story, early morning,
approximately two hours
before sunrise. The air smelled new and fresh, it was the beginning of a new day. There
were
descriptions of nature, for example: the wall of trees; the grass was described as tall;
and there
was a river around him. The narrator described the beauty and variety of nature. The
character had dogs
running along with him, and so the atmosphere suggested life and energy.
The story, written in the first person, had a tone of objectiveness. The objects were
real, in front of him, and existed outside of his mind. There were several notable
images. In one
image, the description of his home compared to the vastness of the veld, his home was
described as low
and small under a brilliant sky. This projected man's insignificance compared to the
vastness of nature.
At one point after he leaped in the air over rocks and shouted as he ran, he stopped for
a moment and
reflected that he could have broken his ankle at any moment. His enjoyment could be
disturbed as
suddenly as had happened for the buck. He learned that his joy was precarious and fragile
and could be
taken away at any given time. He described bitter odors after encountering the dying
animal, and the
atmosphere became depressing. There was suffering, sickness and anger. There was a sense
of the
shortness of time and the character realized that he too was mortal. He got a fore ta!
ste of his own death and the idea that he too will die one day. 
There was a contrast between the beauty of the surroundings and the newness of the early
morning and the death of the buck; it stood out in contrast. 
In the short stories, through all components, confrontations and experiences both
characters were brought out of themselves for a brief period and then forever saw the
world in a
different and more realistic way. They became more aware of the collective nature of
existence, and of
how their own lives were affected by outside influences, beyond their control.