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Magical Realism in Ana Castillo's "So Far From God"
An examination and analysis of the magical realism in Ana Castillo's "So Far From God". -- 4,007 words; MLA

Analyzing the Theme of Magical Realism of Healing Rites in So Far From God by Ana Castillo
In this paper, the various types of curanderismo healing process within Castillo's novel reflect the magical realism, which is often unscientific and fictional in nature. Castillo reveals the ways that curandera's apply their healing process with ... -- 750 words; MLA

Massacre of the Dreamers
This paper examines the book 'Massacre of the Dreamers' by Ana Castillo. -- 1,757 words; MLA

So Far From God
This paper provides a book review of the book 'So Far From God' written by Ana Castillo. -- 936 words; APA

"Peel My Love Like an Onion"
Examines issues of love and separation in Ana Castillo's novel. -- 1,451 words; MLA

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ANA CASTILLO

Chicana poet and writer Ana Castillo was born and raised in Chicago, but has spent most of
her writing career studying her Mestiza heritage. In her first novel, The Mixquiahuala
Letters (1986), Castillo explores the relationship between two women who travel to Mexico
in search of a better understanding of their place in both the U.S. and Mexican
societies. The novel, written in the form of letters between the two women, is considered
the landmark novel that made Castillo a leading Chicana feminista writer, winning the
American Book Award from the Before Columbus Foundation.
Castillo's interest in race and gender issues can be traced through her writing career,
culminating in Massacre of the Dreamers: Essays on Xicanisma, published in 1994. In this
collection of essays, Castillo explores the notion of Xicanisma, a term she herself
created in order to give name to the struggles of Brown women in the racially polarized
U.S. In the U.S., much debate of racism becomes constructed in a Black-White paradigm,
leaving little room for others. In Massacre of the Dreamers, Castillo explores the
Chicana feminist movement of the 70's and where that movement is headed. Castillo notes
that U.S. history, especially, seems to neglect the struggles of Mexico and the
indigenous peoples who became involuntary migrants into what is now the Southwestern U.S.
By exploring the history of Mexico and Central America, Castillo hopes to integrate ideas
about the patriarchy and oppression of these societies with that of the United States,
looking at how Brown women must cope in both societies.
Castillo was schooled in Chicago for the most part, attending the Chicago City College
for two years before entering Northwestern Illinois University. Here, she received her
B.A. in art. After receiving her degree in 1975, Castillo moved to Sonoma County,
California to teach. In 1977 she moved back to Chicago and earned an M.A. in Latin
American and Caribbean Studies at the University of Chicago. Throughout this period of
time, Castillo was not only writing, but was also an activist -- something she still
continues to be. In 1986 Castillo moved back to California and taught at various
colleges. She eventually found herself at the University of Bremen in Germany where she
earned her Ph.D. in American Studies.
Not only is Castillo a noted poet and novelist, she has edited many works with other
Chicana-Latina writers including Cherrie Moraga and Norma Alarcon. It was with Alarcon
and others that Castillo co-founded Third Woman, a literary magazine, for which she is a
contributing editor. Her most recent publication, La Diosa de las Americas/Goddess of the
Americas, is an anthology about the Virgin of Guadalupe with Castillo as editor. Castillo
proclaims herself a devotee of the Virgin of Guadalupe who is considered the Mother
Goddess in Mexican, Mestizo, and Mexican-Indian societies, but largely ignored by the
patriarchal Catholic church. It is the Catholic church and patriarch that led Castillo to
incorporate sexuality as one of the main themes in her writing. Because the Catholic
church does not condone sex unless it is for the sole purpose of having a child, many
women in Catholic cultures, including much of Latin America, lose a segment of their self
by being denied their sexuality. Castillo believes that women have lost their sense of
self on many levels, including psychologically, physically, and spiritually, and need to
reclaim themselves. Castillo herself does this through her writing and activism.

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